It has all the ingredients of a classic piece of 18th century literature - passion, lust, betrayal, deception and ultimate forgiveness.
Yet the action takes place in just 24 hours and is liberally sprinkled with sparkling, farcical humour.
Welcome to The Marriage of Figaro, Mozart's "perfect" opera with libretto by Lorenzo da Ponte.
With a professional cast of top-class performers, lavish costumes and period sets, the production promises first-rate quality at prices that are a fraction of Covent Garden
International baritone Haken Vramsmo plays Count Almaviva, the over amorous villain of the piece who's determined to upset the marriage plans of his two servants Figaro and Susanna with his "droit de seigneur" designs on the young girl.
Figaro Richard Immergluck, for his part, is desired by Marcellina played by Louise Crane, to whom he owes a substantial debt. Marcellina plots to force Figaro to marry her as a forfeit for non-payment.
Her plan looks as if it will succeed until it is revealed, incredibly, that Figaro is in fact Marcellina's long-lost son!
Meanwhile, Susanna (soprano Stephanie Bodsworth) hatches a counter-plot with the Count's wife (soprano Amanda Buckland), herself coveted by the amorous page-boy Cherubino(Melanie Lodge), to foil the Count's plans to seduce Susanna and expose his adulterous intentions.
Susanna agrees to a night-time rendezvous with the Count but it will in fact be the Countess who is to meet and confront her husband.
Disaster almost ensues when Figaro stumbles upon what he believes to be Susanna and the Count locked in an embrace and is beside himself with rage. However he learns the truth just in time and the humbled, humiliated Count is forced to beg his wife for forgiveness.
Under the direction of Bronek Pomorski and with Robert Bottriell as musical director, opera fans -- and newcomers to the classical entertainment -- are in for a real treat with this traditional production.
Completing the cast are Roger Paterson as Basilio and Curzio, and Geoffrey Moses Covent Garden soloist(bass) as Bartolo and Antonio.
In late eighteenth century Seville, a young girl. Rosina, is kept a virtual prisoner by her guardian, Doctor Bartolo, who hopes to marry when she is of age and enrich himself from her dowry. The young and ardent Count Almaviva, who wants Rosina to love him for himself and not for his wealth or title, engages the help of Figaro, the local factotem and his former servant, to frustrate Bartolo's plan and marry Rosina himself.